Gone Are The Days! aka Purlie Victorious (1963) | Ruby Dee Ossie Davis
Gone Are the Days! (aka Purlie Victorious / The Man From C.O.T.T.O.N.) is a 1963 American comedy-drama film starring Ossie Davis, Ruby Dee and Godfrey Cambridge. It is based on the 1961 Broadway play Purlie Victorious, which was written by Davis.[1] Davis, Dee, Cambridge, Beah Richards, Alan Alda and Sorrell Booke reprised their roles from the play. This was also Alda's film debut. A young, idealistic man returns home to the plantation where he grew up in servitude. With him, he brings his fiance, Lutiebelle, in hopes of convincing the plantation owner that she is really his cousin in order to secure the family inheritance. To aid in the comic complications that follow are his family members Missy and Gitlow, and the plantation owners endearing (but ineffectual) son Charlie. - Wikipedia/TCM Database Shared for historical purposes. I do not own the rights. ##### Reelblack's mission is to educate, elevate, entertain, enlighten, and empower through Black film. If there is content shared on this platform that you feel infringes on your intellectual property, please email me at Reelblack@mail.com and info@reelblack.com with details and it will be promptly removed.
View on YouTube
Translate
Tupac Amaru Shakur — “I'm Losing It… We MUST Unite!”
Where To Start
Start Here
Start at 1619. Move forward.
The 40 Arc Essays — Canon Index →
Full reading order · 1619 to the present · All 40 essays live
The Arc is the spine of this project: 40 essays, one chronological argument, five analytical lenses.
The Arc / Observations
The running argument. Read the core sequence as one sustained line of thought.
Curated Black Media Digest
Supplementary reading, media, and adjacent material.
Read the Arc through its lenses
Monument
What is formally commemorated and what that public memory hides.
History
What was structurally done, built, justified, and enforced.
Witness
Testimony, lived experience, and what the record sounds like from inside it.
Culture
How the archive speaks through literature, music, church, language, and art.
Present
How the machinery persists now: policy, power, memory, and consequence.
This site should read like a structured archive, not a loose category list. The Arc is the entry point; the lenses help you move through it with intention. Empty sections stay hidden until they are live.